Defying gravity.

Saw Wicked for the third time last night; this time from the circle, which others have recommended. Once again, this changes the experience in ways I hadn’t expected – most notably, the visual effects are much more noticeable, both the front/back projection and  some clever fixtures directly above the stage which produces assorted dynamic gobo effects on the stage. From the stalls the later in particular are hard to spot. Similarly the set takes on lot more interest from higher up.

What you lose (compared to being near the front of the stalls) is some of the facial expressions, the costume detail and the sense of the set and cast being almost on top of you.

Musically, it was a different G(a)linda and Elpheba; both were miked much more noticeably than before (or is that another effect of being in the circle?) and Elpheba in particular sounded very nervous at the start, but settled down beautifully after that. Some of the acting seemed to work better, or have a little more prominence – partly due to Elpheba being very petite and vulnerable looking, compared to Idina Menzel.

And yes, three times is probably enough for the moment, I should go see some other things.

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Portishead at ATP

All of ATP was good, but Portishead’s live set was incomparable. They finished without playing Roads, but then came back for an encore, and played it. Two bars in and I was almost in tears – it remains a perfect piece of music, in every way, and seeing it performed live was worth every penny.

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St Pancras

…is stunning. The Barlow train-shed is breathtaking, with the brick cleaned and bright red, the metalwork in a sky blue, and the glass letting in huge amounts of light on a clear winter day. Even better, the conversion of the undercroft has worked well, creating lots of usable space without losing the character of the building – you can look across the train-shed without being bombarded by Starbucks / WH Smiths logos. It should even age pretty well, unlike many modern structures.

The statue (‘The meeting place’) that stands at the end of the train-shed works well, and avoids getting lost in the height of the train-shed by dint of being absolutely enormous. Like, it’s really, really big. Probably a double-decker bus analogy is needed at this point.

It’s wonderful to have such a functional project produce such aesthetic results – especially given all the recent counter examples. Now I have another place besides Tate Modern to visit when I want to be cheered up.

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In the words of the great P.T.Gumby: ‘My brain hurts’

Safe for work, but possibly not safe your mental health. 

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Where they lead, we will follow.

Once again proving that it’s not being able to do something that counts, but actually going out and building it, that changes markets / customer expectations / finally makes everyone else pick up their act. To be fair it’s quite a nice device, especially if you want a real keyboard and no longer desire a Nokia Communicator. No idea what software stack the LGs run, though, and it makes all the difference – which is why I’ll be getting an iPhone next year. Which leads us to:

In the least surprising revelation of all time, entirely reliable sources reckon May 2008 for an iPhone revision with 3G support. No doubt the battery life will be shocking, but as a proud N95 owner right now, that won’t be anything new.

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Shiny.

I’m forced to walk past a Brera on the walk to and from yoga, and every time I am struck by how stunningly pretty it is. So this is one of those times when my opinions and those of J. Clarkson agree. The new Audi R8 also looks rather lovely from certain angles, and is probably likely to complete a journey with all systems functioning, but I suspect I’d still take the Brera given the choice.

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Cause / Effect

Well, if there wasn’t a shortage before, there sure will be one now. I can just imagine the Nintendo PR people writing their releases, saying ‘gosh, yes, that’s terrible – we’re doing everything we can’ with a straight face. The question is, what’s more likely to cause festive-season related injuries: Wii Sports, or deranged parents battling each other at Woolworths to secure a copy of it?

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Cameras

Ah, the eternal conflict. vi and emacs. nVidia and ATI. Linux and absolutely everyone else. Currently I’m faced with a more evenly-balanced choice (or so I thought) than the above – we all know ATI, vi and Linux are rubbish – and that choice is, of course, Nikon or Canon.

For, you see, my humble Panasonic FZ-5 has died a horrible, mechanical death, and when I inquired at Jessops about the feasibility of a repair, I was assured the cost would far exceed the value of the camera – i.e a hundred quid. Jumping on the DSLR wagon basically boils down to two options: the Nikon D40x and Canon 400D. Since the marketing machines of both companies know this, they are engaged in the kind of feature / metric war that gave us clock-speeds the same frequency as gamma radiation and CPU cores that dissipate more heat than an oven. As a result, both cameras are pretty impressive, both are about the same price, both come with a £50 rebate at the moment, both come with an 18-55mm kit lens, etc, etc.

The warning alarms went off when I inquired with DSLR-owning friends on the above basis, and almost all of them gave a decidedly vehement response in favour of Nikon or Canon. Not the device, so much – more just the company / philosophy / scared truth. Notably, for what I can only assume to be comedy effect, the, err, pimply-faced-youth at the shop (I was in Jessops, not Currys/Dixons, honest) first decried in no uncertain terms that the Nikon is made from the carcasses of dead puppies, but then summoned over a colleague who impressed upon me that the Canons steal a piece of your soul every time you press the shutter. I think, to give Jessops some credit, overall they were a bit more helpful than that, and the result is I’m currently leaning Canon-wards, mostly due to wider lens compatibility, and alleged easier access to ISO and exposure settings via physical buttons.

Hence this post – please wade in, via the comments, and offer whatever enlightenment you feel able to impart.

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They make a considerable number of pies.

I finally found it. This was on TV in the UK briefly a few years back, before being pulled (I believe) due to complaints. It says something about the effectiveness of marketing / advertising that this ad, which I saw exactly once, has stuck with me so completely. Apparently the brand itself may be going away in the UK.

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Portal

Portal is awesome. Everything that looked cool in the trailer, is cool in the game. The gameplay is imaginative, without turning (much) into 3D-platformer-twitch-fest, and the setting and voice-over are inspired. I’ve felt more empathy for the sentry guns that say ‘I can see you’ when they open fire and ‘I don’t mind’ when you knock them down, than many legions of Black Mesa operatives. (Maybe they were just doing a job, but I still don’t feel for them).

Everything on the rendering side of the technology was doable in CrystalSpace back in 1999 (if not earlier), and was visible in the first version of Unreal, but it’s the combination of the rendering tech with a decent physics engine that really creates most of the gameplay. The rather high level of polish from the Source engine certainly doesn’t go amiss, though the default video settings make my 7300GT a little unhappy, especially in ‘challenging’ (i.e deep) portal configurations. This is partly Apple’s fault for charging stupendous amounts of money for video cards in the MacPros – aren’t they using the same actual boards / firmware as regular PCs now?

Mmmmm, cake.

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